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Editready 2.1 512/8/2023 ![]() Single LC 12G Fiber Tx SFP AJA - Part # FIBERLC-1TX-12G Fiber allows outgoing and incoming video signals to be transmitted as far as 10 km away. Ki Pro Ultra 12G's fully integrated fiber inputs and outputs means it can be integrated directly to a dedicated fiber network alongside many other fiber products. Infinite Record allows continuous recording and rollover from PAK Drive to PAK Drive for a variety of needs including multi-day sporting events, conferences, security needs and much more. This function works with each input to Ki Pro Ultra 12G and will even function in Rollover mode, meaning that a loss of signal that spans separate media will pose no issues in editing, the time code of each file recorded being equal.įorced Rollover support allows users to force a rollover recording to the second PAK port at any point, allowing quick extraction of the first PAK drive for fast transfer to editing environments, playout servers and more, while recording continues. The editor then just simply cuts away from any recording that lost signal, without any heavy lifting to insert frames, or adjust audio to compensate. In this way, all multi-channel clips have the same timecode duration and will align perfectly within any NLE. But Ki Pro Ultra 12G is designed so that as soon as a loss in signal is detected on any of the inputs, a color bars frame with the legend “Loss Of Signal” is recorded until the input is restored or the shoot ends. Losing one or even several feeds during a multi-channel shoot can cause major sync issues during the editing process that can be lengthy to resolve, if they can be resolved at all. Internal frame synchronizers eliminate the need for sources to be genlocked, which can be especially useful when setting up live events. Ki Pro Ultra 12G even allows rollover to a second PAK for hours of uninterrupted multi-channel recording. ![]() Starting with input 1, add channels as needed in order when utilizing like raster size and frame rate, and record your HD Apple ProRes files on the same AJA PAK media*. Simplify your multi-camera productions by running up to four cameras per Ki Pro Ultra 12G and save power, space, time and effort on set, in the studio and when setting up OB trucks. Ki Pro Ultra 12G even allows independent profile support per channel in Multi-Channel mode for example, select high resolution Apple ProRes HQ for high quality finishing and use a second input to record Apple ProRes (Proxy) for an efficient editing pipeline. Categories News Tags editready.h.Record 1, 2, 3 or 4-Channels of beautiful HD up to 1080p 50/60 in Apple ProRes simultaneously with Ki Pro Ultra 12G – without the need to genlock the sources. Something Samsung’s own “Movie Converter” app bundled with the NX1 apparently cannot do. It is also able to take the 1080/120fps files and convert them to ProRes. In my quick tests of the new NX1 H.265 transcoding ability to ProRes 422 performance was utterly stunning, almost realtime on my Macbook Pro Retina 15″ late 2013. Fixes an audio issue with some Canon 5D files.Better support for working with large numbers (many hundreds) of AVCHD files. ![]() Ensures audio and video tracks match in length in Adobe Premiere Pro.Fixes audio track mapping for MXF sources.Fixes an issue with AAC audio tracks that misreport their channel count (some YouTube files).Better support for GoPro Hero4 timecode.Improved stability when working with AVCHD on Mac OS X 10.8.The trial version can be downloaded here. If you haven’t yet bought it EditReady costs $50 and is well worth it. ![]() The app uses Intel’s QuickSync Video technology to transcode ProRes so it’s a lot faster than most of the competition.ĮditReady 1.2.1 is now available. ![]() This is my favourite transcoding solution, so great to see H.265 support.ĭivergentMedia (GH1 owners may remember them from Clip Wrap for AVCHD) did a superb job on EditReady for Mac users. Popular pro transcoding software EditReady now supports the Samsung NX1. ![]()
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